We Aimed TO PRODUCE An Informative


We Aimed TO PRODUCE An Informative

Potential acupuncture patients look for information about acupuncture from various sources including websites, many of that are unreliable. We targeted to create an informative, clinically accurate and interesting website to educate patients about acupuncture for back pain and improve their beliefs in a manner that might improve its clinical effects. We used psychological theory and techniques to design an evidence-based website, incorporating multimedia system elements. We conducted qualitative “think aloud” audio-recorded interviews to elicit consumer views of the website. A convenience sample of ten participants (4 male; aged 21-64 years from the local community) looked at the website in the presence of the researcher and spoke their thoughts aloud. Comments were categorised by topic.

The website comprises 11 main webpages and addresses key topics appealing to potential acupuncture patients, including beneficial and adverse effects, mechanisms of action, protection, practicalities, and patients’ encounters of acupuncture. It provides information through text message, evidence summaries and audio-clips of four patients’ stories and two acupuncturists’ explanations of their practice, and three short films.

Evidence from the think aloud research was used to identify opportunities to help make the website more informative, engaging, and user-friendly. Using a combination of emotional theory and qualitative interviews enabled us to produce a user-friendly, evidence-based website that will probably change patients’ values about acupuncture for back again pain. Before using the web site in clinical settings it is necessary to test its effects on key final results including patients’ values and capacity for making informed options about acupuncture. We use cookies to help provide and enhance our service and tailor content and ads. By continuing you consent to the utilization of cookies.V. ScienceDirect is a authorized trademark of Elsevier B.V.

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This kind of intimacy has power partially because it’s more personal and susceptible than the normal techniques museum workers build relationships program participants. Eric: Initially it was a bit intimidating-all these looks that you will get from patrons, especially the regulars. You can tell they are wondering why you are here however they don’t necessarily want to articulate it, so you get this strange vibe just. You know, I’m standing and I’ve got my sign-in sheet there, but it looks a little bit trivial.

Mark: Right, as if you evidently there have permission to be, but you are not quite part of the Museum. Eric: Exactly. But I believe there’s an improvement between something being difficult and something being truly a nagging problem. The difficulty is almost as much a right part of the event as walking through the gallery.

Mark: Right. This piece is a critique of those pieces: those items are a sad simulacrum of a human connections in the museum; this piece is approximately real engagement. Eric: Absolutely. And it experienced as much regarding my evolution as with the audience. I believe there’s a skill to having the ability to put somebody at ease really. It got easier for me, getting that comfort level and the confidence to say, “Here I am.